![]() We worked a lot on special effects that were tangible, prosthetic, with Coulier, who is a two-time Oscar winner, and then we integrated with computer-generated effects. Most of the characters are anthropomorphic, animals that speak. It’s because of the special effects that I was able to make a live-action film where Pinocchio is actually a wooden puppet. How did you balance your desire for realism with the special effects that transport the viewer? Federico was really extraordinary, and it made the character more empathetic. But Federico had the will and discipline to sit for four hours every day while Mark Coulier applied his makeup. We know that Pinocchio wants to evade responsibility, hardships and work to pursue pleasure. But I tried to mitigate that by drawing on the naïveté of the boy who plays him, who is Pinocchio’s exact opposite. At the beginning he clearly makes a ton of mistakes, and that can come off as irritating. Your Pinocchio, played by Federico Ielapi, is much more likable. In the book, Pinocchio is often obnoxious. ![]() It was a great fortune for us to have him. So there was no one better than Roberto to give authenticity and humanity to this character. He comes from family of peasants, they lived through moments of great poverty, living five or six to a room, he has experienced hunger. In the sense that Roberto is a witness of an Italy that is disappearing. In the film, Roberto Benigni plays Geppetto, the carpenter, after making his own “Pinocchio” movie in 2002, in which he starred as the puppet. We shot part of the film in Tuscany and then moved to Puglia because Tuscany has changed so much in the past century, and we wanted to remain faithful to the peasant atmosphere of the late 19th century. That was the big gamble, to surprise people by remaining as faithful as possible to the book.īut did that also mean being faithful to the atmosphere of the original book, with its emphasis on the poverty of rural Italy in the 19th century?įor each scene, we looked for pictorial references and illustrations, we wanted to recreate the flavor of that world. So I thought, if I was surprised reading the text, maybe I can make a film about a book that people think they know, but in fact don’t. When I reread the book as an adult, six or seven years ago, I noticed that there were many things that I hadn’t remembered and above all many things that I hadn’t seen in movie versions. There are so many film versions of “Pinocchio.” So why make one more? “I always have that drawing in front of me as a model.” Here are edited excerpts from the conversation. “You’re pure when you’re a child, and the things that you do have a freshness that you struggle to find as an adult,” he said during an interview this month in his office on a Roman movie studio lot. He framed the picture, which he keeps in front of his desk as inspiration. There’s even a 1971 soft-porn movie.įor Garrone, 52, the book had inspired what he described as his first storyboard, a cartoonish retelling that he drew when he was 5 or 6. Pinocchio has traveled into outer space, become a sidekick to Shrek and has shown a more nefarious side in a 1996 slasher film. The story of the puppet who yearns to become a real boy has tickled the fancy of many directors, sometimes with unexpected results. Garrone has attributed his interest in the fantastical to his background as a painter.īut “Pinocchio” is something else. In fact, Garrone had already ventured into the realm of fairy-tales in his 2015 “ Tale of Tales,” a mash-up of folk tales collected by the 17th-century Neapolitan author Giambattista Basile, who in turn influenced the Brothers Grimm. A Supporting-Actress Underdog: In “Everything Everywhere All at Once,” don’t discount the pivotal presence of Stephanie Hsu.Sundance and the Oscars : Which films from the festival could follow “CODA” to the 2024 Academy Awards.An Andrea Riseborough FAQ : Confused about the brouhaha surrounding the best actress nominee? We explain why her nod was controversial.The Tom Cruise Factor : Stars were starstruck when the “Top Gun: Maverick” headliner showed up at the Oscar nominees luncheon.Kyle Buchanan is covering the films, personalities and events along the way. The Projectionist Chronicles the Awards Season The Oscars aren’t until March, but the campaigns have begun.
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